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Anonymous "Double Door" (The Magazine Programme for the London Premier of Elizabeth McFadden's Play at The Strand Theatre, London) - Theatre Programme The Magazine Programme, London, 1934 First Edition, Pamphlet, Very Good, No Jacket 5.5 x 8.5"
Unpaginated, but 18pp including many b+w photographs including full-page portraits of Sybil Thorndike, and Owen Nares - This is issue No. 1000 for April 23rd, 1934 including the souvenir programme for Elizabeth McFadden's play, hot from a short (18 weeks) run in New York, "Double Door" at the Strand Theatre. It had premiered at the Strand with Sybil Thorndike in the lead. It was a melodrama about a woman who locks another in the family burial vault to prevent her from marrying her brother. The play was supposed to open in London at The Globe but wound up at The Strand. Thorndike was a British actress, and the sister of author Russell Thorndike. Her first public performance was as a pianist at age of 11, but a few years later had to give up the piano due to piano cramp. Her brother suggested she train as an actress. When only 21 she was offered her first professional contract, a tour of the USA with the actor-manager Ben Greet's company. She made her first stage appearance in Greet's 1904 production of Shakespeare's "The Merry Wives of Windsor". She went on to tour the States in Shakespearean repertory for four years, playing more than 100 roles. Nares had a lengthy stage and screen career and, for most of the 1920s, was Britain's favourite matinée idol and silent film star. In 1910, after a year's acting training, he was playing bit parts in West End productions, including the St. James’s Theatre and the Pinero’s Mid Channel. Over the next few years, he performed with many of the stars of the era including Beerbohm Tree, Constance Collier and Marion Terry. Nares starred in popular West End shows, almost without pause, until 1926, when he set off with his own company for a tour of South Africa. A year or two later, he continued his West End career through the 1930s, starring in this play and in "Call it a Day" at the Globe Theatre the next year. The show also featured: Dora Barton, H. Worral-Thompson, Josephine Dent, Edwin Morton, Carol Goodner, Christine Silver, George Elton, Charles Lefeaux, Owen Nares, Sebastian Shaw and James Parish. McFadden appears to have only written one other play, the 1945 effort, "Signature" and an effort it must have been as it only lasted for two performances on Broadway. Other features of the magazine include: the weekly Theatre Gossip column with a caricature of Sir Nigel Playfair and a photo of Lesley Wareing in the title role of Wycherley's "The Country Wife" at The Ambassadors, Leslie Banks and Gillian Lind as Clive and Mrs Clive in "Clive of India" at the Wyndham, and Nora Swinburne, Frank Allenby, Marie Tempest and Claude Horton in a scene from Harwood's play, "The Old Folks at Home" at the Queen's Theatre. The regular column, "The Stage of the Past" number 8, Colley Cibber, 1671-1757; the regular column, "The Stage of the Present", an interview with Patrick Waddington by Dorothy Drake; book and record reviews and several other features. PROVENANCE: this item comes from the collection of H. W. Roxburgh of Liverpool, in whose extensive collection of theatrical ephemera this item was contained. It was purchased at Fellows and Sons Auction, Birmingham (UK) in Aug, 2007. The covers and textblock are bright and clean but the staples are rusty and the cover is detached but present. 007643 Price:
10.00 GBP
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Anonymous "Number 10" Touring Company of Ronald Millar's Political Drama - Playbill Programme Playbill, Ltd, London, 1967 First Edition, Booklet, Very Good +, No Jacket 5.5 x 8.5"
30pp inc biographical profiles of the cast and b+w portrait photos of its four stars - Playbill Magazine/Programme for "Number 10" Touring Company of Ronald Millar's Political Drama at Liverpool's Royal Court Theatre. The play, by Ronald Millar was based on William Clark's novel and directed by David Scase. Starring were Alastair Sim, John Gregson, Michael Denison and his wife, Dulcie Gray. Also in the cast were Leader Hawkins, Kerry Gardner, Anthony Woodruff, Jeremy Anthony, Robert Sidaway, Tom Chatto, Michael, Logan, Richard Butler, Dennis Alaba Peters, Ilarrio Pedro, Clement McCallin, Paul Bacon, and Norman Claridge. Sir Ronald Millar was a playwright, screenwriter and speechwriter (for Margaret Thatcher during her years as tory party leader). He joined the Navy in 1940 after having studied at King's College, Cambridge, for a year, according to the Internet FAQ Archives. He established himself as a playwright after WWII and between 1948 and 1954 lived in Hollywood, where he wrote scripts for MGM. On his return to the UK, he successfully adapted several C.P. Snow novels, and in 1967 he adapted William Clark's novel 'Number 10' for the stage. He began to establish himself as a speechwriter when he was in his 50s. PROVENANCE: this item comes from the collection of H. W. Roxburgh of Liverpool, in whose extensive collection of theatrical ephemera this item was contained. It was purchased at Fellows and Sons Auction, Birmingham (UK) in Aug, 2007. This item is in pristine condition. 008544 Price:
10.00 GBP
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Anonymous 1066 and All That, Revival of Reginald Arkell and Alfred Reynolds' 1935 Revue - Theatre Programme The Royal Court Theatre, Liverpool, 1947 First Edition, Booklet, Very Good, No Jacket 5.5 x 8.5"
Souvenir programme for the 1947 revival of "1066 and All That", Reginald Arkell and Alfred Reynolds' 1935 Revue at Liverpool's Royal Court Theatre - This revue is based on the book, "1066 and All That: A Memorable History of England, comprising all the parts you can remember, including 103 Good Things, 5 Bad Kings and 2 Genuine Dates". The book was written by W. C. Sellar and R. J. Yeatman and illustrated by John Reynolds. First appearing serially in Punch magazine, it was published in book form by Methuen & Co. Ltd. in 1930. It is, as the title implies, a tongue-in-cheek reworking of the history of England. The revue was originally produced in 1935 and ran for 387 performances at London's Strand Theatre. This revival had book and lyrics by Reginald Arkell and music composed by Alfred Reynolds. Beatrice Appleyard choreographed the ballet and ensembles with Patrick Savill conducting the orchestra and Richard Littledale and Henson staged the production. Starring were Henson and Styles. The cast also included Babette O'Deal, Alfred McQuigan, Richard Ablett, Finlay Morrison, Peter Mosley, George Dale, Michael Rocharde, John Stewart, Wynn Dyson, Dennis Taylor, Wallas Eaton, Gordon Little, Gavin Gordon, Donald Carson, Edwin Styles, Jean Anderson, Pamela Healey, Joy Adams, Corps De Ballet, Philip Howard, Patricia Gaunt, Jean Haines, Mirren Wood, and Henry Caine. Henson (1891 - 1957) was an English comedian, actor, film producer, theatre producer and director. He worked in silent films and Edwardian musical comedy and then became a popular music hall comedian who enjoyed a long stage career. He starred in comic roles in hit West End musicals such as "To-Night's the Night", "Theodore & Co" and "Yes, Uncle!". He also appeared in a number of films, beginning in 1916, and eventually on television. Henson signed up with the Royal Flying Corps but was removed from active service to run a concert party group called "The Gaieties" in the fifth Army, to give shows for the troops in 1918. He then returned to the West End in musicals and comedies, some of the long-running Aldwych Farces, and a string of comedies at the Winter Garden Theatre. In 1930, Henson and his business partner Firth Shephard co-leased the Novello Theatre and presented a series of farces, "It's a Boy!", "It's a Girl!", "Nice Goings On!" and "Aren't Men Beasts!". At the outbreak of WWII, he returned to the UK from a tour of South Africa and, together with Basil Dean, formed the Entertainments National Service Association, also known as the "ENSA". In 1945, he starred in a revival of the musical adaptation of "1066 and All That" at the Palace Theatre, London. PROVENANCE: this item comes from the collection of H. W. Roxburgh of Liverpool, in whose extensive collection of theatrical ephemera this item was contained. It was purchased at Fellows and Sons Auction, Birmingham (UK) in Aug, 2007. This item is in very good condition except for slight edgewear and a rusted staple. 008525 Price:
7.50 GBP
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Anonymous A Chorus Line - Theatre Programme The Liverpool Empire, Liverpool, 1987 First Edition, Pamphlet, Very Good +, No Jacket 6 x 8.5"
Unpaginated but 20pp - Souvenir programme for the production of "A Chorus Line" at The Liverpool Empire - The programme includes brief bios of members of the cast and production crew. There are also two essays, "Light on a Light Actor" by Eric Shorter, and "On the Avenue" by Patrick Ludlow. The cast included Nicky Andrews, Peter Barry, Neale Birch, Richard Brightiff, Debby Bundy, Peter Challis, David Danns, Geoff David, Alan Forrester, Veronica Hart, Sarah-Jane Hassell, Michelle Hodgson, Samantha Hughes, Kenny Linden, Ray Mangion, Diane Manou, Kevin Marlow, Nicola Meerloo, Kerri Murphy, Amanda Nolan, Caroline O'Connor, Carl Roachford, Robert B.J. Ryan, Susan Tan, Taffy Taylor, Michael J. Urwin, and Vincent White. O'Connor (1962) is an English-Australian singer, dancer and actress. She trained at the Royal Ballet School in London and worked full-time at the Australian Opera Ballet. Her film work includes the featured role of Nini Legs in the Air in Baz Luhrmann's film "Moulin Rouge", and as Ethel Merman in the Cole Porter biopic "De-Lovely", according to wikipedia. In 2003 O'Connor made her Broadway debut as Velma Kelly in "Chicago". Her West End theatre performances include Mabel in "Mack & Mabel" for which she received an Olivier nomination for Best Actress in a Musical. O'Connor was a member of the original 1986 revival cast of "Me and My Girl" at the Adelphi Theatre. O'Connor's other UK theatre credits include "A Chorus Line", "Hold on Tight it's 60's Night", "Chicago", "Damn Yankees". PROVENANCE: this item comes from the collection of H. W. Roxburgh of Liverpool, in whose extensive collection of theatrical ephemera this item was contained. It was purchased at Fellows and Sons Auction, Birmingham (UK) in Aug, 2007. The item is immaculate 008594 Price:
10.00 GBP
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Anonymous A Play for Ronnie, Touring Company Production of Warren Chetham-Strode's Drama - Theatre Programme The Royal Court Theatre, Liverpool, 1946 First Edition, Handbill, Very Good, No Jacket 6 x 10"
Souvenir programme for the 1946 touring company production of Warren Chetham-Strode's Drama, "A Play for Ronnie" at Liverpool's Royal Court Theatre. The play is a "domestic comedy/thriller", according to the settlement-players dot org dot uk site. Featured in this production were Marjorie Fielding, Mollie Weir, Denis Gordon, Gordon Bell, Barbara White, Ronald Ward, Ambrosine Phillpotts, Charles Cameron, and Jean St. Clair. Chetham-Strode (1896 - 1974) was an English author and playwright. He wrote several plays including "The Guinea Pig" and "A Play for Ronnie" and screenplays for several films between 1935 and 1951 including "Odette". PROVENANCE: this item comes from the collection of H. W. Roxburgh's extensive collection of theatrical ephemera. It was purchased at Fellows and Sons Auction, Birmingham (UK) in Aug, 2007. The text is clean, except for very slight edgewear and creases. 008584 Price:
7.50 GBP
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Anonymous A Play for Ronnie, Touring Company Production of Warren Chetham-Strode's Drama - Theatre Programme The Royal Court Theatre, Liverpool, 1946 First Edition, Handbill, Very Good, No Jacket 6 x 10"
Souvenir programme for the 1946 touring company production of Warren Chetham-Strode's Drama, "A Play for Ronnie" at Liverpool's Royal Court Theatre. The play is a "domestic comedy/thriller", according to the settlement-players dot org dot uk site. Featured in this production were Marjorie Fielding, Mollie Weir, Denis Gordon, Gordon Bell, Barbara White, Ronald Ward, Ambrosine Phillpotts, Charles Cameron, and Jean St. Clair. Chetham-Strode (1896 - 1974) was an English author and playwright. He wrote several plays including "The Guinea Pig" and "A Play for Ronnie" and screenplays for several films between 1935 and 1951 including "Odette". PROVENANCE: this item comes from the collection of H. W. Roxburgh's extensive collection of theatrical ephemera. It was purchased at Fellows and Sons Auction, Birmingham (UK) in Aug, 2007. The text is clean, except for very slight edgewear and creases. 008585 Price:
7.50 GBP
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Anonymous A. P. Herbert's Mother of Pearl - Theatre Programme The Liverpool Empire, Liverpool, 1933 First Edition, Pamphlet, Good, No Jacket 7 x 9.75"
Unpaginated, but 12pp - Souvenir programme for The Liverpool Empire's touring company production of A. P. Herbert's musical, "Mother of Pearl". It was adapted by Herbert from the German of Alfred Grunwald (after Verneuil) and had music by Oscar Straus. In the cast were: Alice Delysia and Rex Harrison. Also in this production's cast were , Winifred Radford, Enid Doughty, Ian Jarvis, Anthony Gordon, Sidney Trevelyan, Hugh Casson, Leo Sheffieeld, Richard Murdoch, Peggy Rawlings, Margaret Davidge, Madge White, Edward Bonfield, Walter Pemberton, Edward Roye, Scott Freeland, Harold de Vere, Mary Radford, Robert Coote, and Harold Colonna. The play ran at The Gaiety Theatre London earlier in the year for 181 performances. The show is a comedy of the absurd in which a woman who thinks she has a rival for the love of an officer, eventually finds out the rival is his mother. Delysia (1889-1979), was a French actress and singer, was "from the 1920s until her retirement in the late 1940s, one of the most exciting and alluring stars of the London stage," according to Patrick Newley IMDb's Mini Biography of her. And a brief sketch of her life at the National Portrait Gallery, said she "began as a chorus girl at the Moulin Rouge in Paris... In London she gained her greatest success in a series of revues produced by C.B. Cochran, including "As You Were" (1918) ... and "On With The Dance" (1924) in which she introduced Noël Coward's 'Poor Little Rich Girl'. At the Gaiety Theatre she was the worldly-wise actress in "Mother Of Pearl" (1933)" PROVENANCE: this item comes from the collection of H. W. Roxburgh of Liverpool, in whose extensive collection of theatrical ephemera this item was contained. It was purchased at Fellows and Sons Auction, Birmingham (UK) in Aug, 2007. The pamphlet has an inked notation by the prior owner noting the play came from a London theatre, also a rusted staple a one-inch closed tear half way down the foredge and lots of edgewear.. 008020 Price:
7.50 GBP
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Anonymous Arsenic and Old Lace, Touring Company Production of Joseph Kesselring's Classic Comedy - Theatre Programme The Royal Court Theatre, Liverpool, 1945 First Edition, Handbill, Very Good, No Jacket 5.5 x 8.5"
Souvenir programme for the touring company production of "Arsenic and Old Lace" by Joseph Kesselring at Liverpool's Royal Court Theatre - The show starred Janet Barrow, Raymond Rollett, Nellie Bowman, Gerald Barton, Franklin Davies, and Meinhart Maur. Other cast members were Norman Williamson, Lance George, Richard Eaton, Elizabeth London, Walter L. Rignold, Bryan Herbert, Frank Kendal, and Douglas Vigors. Maur (1891 - 1964) was a Hungarian actor. He appeared in 44 films between 1919 and 1954, according to wikipedia. Recruited by the Max Reinhardt Theatres in Berlin, according to the libraries dot psu dot edu site, he gave stage, screen, and radio performances throughout Europe, and was also active in the Jewish theater. Maur moved to England in 1936 to appear in the A. Korda film "Rembrandt" and remained there with his wife, Czechoslavakian actress Anna Ascher (stage-name Annie Arden). Continuing his career as a character actor into the 1950s. PROVENANCE: this item comes from the collection of H. W. Roxburgh of Liverpool, in whose extensive collection of theatrical ephemera this item was contained. It was purchased at Fellows and Sons Auction, Birmingham (UK) in Aug, 2007. This item is in very good condition except for slight edgewear and Roxburgh's inked notation that this is "touring" production. 008514 Price:
7.50 GBP
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Anonymous Babes in the Wood, Panto - Theatre Programme The Royal Court Theatre, Liverpool, 1943 First Edition, Handbill, Very Good, No Jacket 5.5 x 8.5"
Souvenir programme for "Babes in the Wood", The Royal Court Theatre's 1946 production of its Christmas Panto. Starring were: Ann Drummond-Grant as Robin and Rubina Gilchrist as Maid Marion. The cast also included Dave Willis, David Dale, Douglas Herald, Cleef & Moroney, Kathleen West, Robinson Twins, Paul Stanton, Nancy Gabrielle, Betty Norton, Les Trois Matas and Christine Spencer. Ilona Ross arranged the ballets. Charles Ross worte and produced the show. PROVENANCE: this item comes from the collection of H. W. Roxburgh of Liverpool, in whose extensive collection of theatrical ephemera this item was contained. It was purchased at Fellows and Sons Auction, Birmingham (UK) in Aug, 2007. This item is a bit edgeworn. 008520 Price:
7.50 GBP
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Anonymous Barnum, Starring the Bath Light Operatic Group - Theatre Programme The Theatre Royal, Bath, UK, 1994 First Edition, Pamphlet, Very Good +, No Jacket 6 x 8.5"
Unpaginated but 28pp - Souvenir programme for "Barnum" Starring the Bath Light Operatic Group At The Theatre Royal Bath - The programme includes brief bios and b+w photos of members of the cast and production crew. The cast included Richard Canning, Richard Newman, Julie Osborne, Geoffrey White, Carl Buck, Jacquie Buck, John Wiltshire, Nigel Barnes, Katrina Pitt, Ian Fulford, Scott Osborne, Lorraine Matson, Hilary Newman, Lisa-Jayne Smith, Tony Sim, Phil Turner, Jill Pettigrew, and Margaret Wiltshire. PROVENANCE: this item comes from the collection of H. W. Roxburgh of Liverpool, in whose extensive collection of theatrical ephemera this item was contained. It was purchased at Fellows and Sons Auction, Birmingham (UK) in Aug, 2007. The item is immaculate 008597 Price:
10.00 GBP
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Anonymous Betty, Revival of Frederick Lonsdale and Gladys Unger's 1915 Musical - Theatre Programme The Royal Court Theatre, Liverpool, 1945 First Edition, Handbill, Very Good, No Jacket 5.5 x 8.5"
Souvenir programme for the Revival of Frederick Lonsdale and Gladys Unger's 1915 Musical, "Betty", at Liverpool's Royal Court Theatre - The cast included Betty Leslie-Smith, Beryl Reid, Bertram Wallis, Reginald Palmer, Freddie Forbes, John E. Conan, Horace Kennedy Jr. Cecil Wayne, Robert Raye, James Lomas, Michael O'Connor, Jack Lester, Hilda Campbell Russell, Elsie Prince, and Lynn Hope. Lonsdale (1881 - 1954) was an English dramatist and progenitor of the theatrical family which includes his grandsons, the actors Edward Fox and James Fox; great-grand-daughter the actress, Emilia Fox; James' third child, the actor, Laurence Fox; and the film producer Robert Fox. His first production was the musical "King of Cadonia" (1908). His next success was "The Balkan Princess" (1910), which, according to wikipedia was little more than "King of Cadonia" with the sexes reversed, but it enjoyed a good London run and a long and wide provincial tour and foreign productions. He also wrote some classic straight comedies, such as "Aren't We All?" (1923), "Spring Cleaning" (1925), and "The Last of Mrs. Cheyney" (1925, which ran for 514 performances). Reid, (1919 - 1996) was a British actress of stage and screen. Her first professional performances were in a revue in the summer season at Bridlington in 1936. Although she had no formal training she was able to join London's Royal National Theatre as a comedy actress. Her first big success came in the BBC radio show "Educating Archie" as naughty schoolgirl, Monica, wikipedia says. She reprised her Tony Award-winning performance of a lesbian soap opera star in The Killing of Sister George for the screen version and was nominated for the Golden Globe Award for Best Motion Picture Actress in a Drama. PROVENANCE: this item comes from the collection of H. W. Roxburgh of Liverpool, in whose extensive collection of theatrical ephemera this item was contained. It was purchased at Fellows and Sons Auction, Birmingham (UK) in Aug, 2007. This item is in very good condition except for slight edgewear and Roxburgh's inked notation that this is a "touring" production. 008513 Price:
7.50 GBP
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Anonymous Big Ben, Pre-West End Production of A A Herbert's Light Opera - Theatre Programme The Royal Court Theatre, Liverpool, 1946 First Edition, Handbill, Very Good, No Jacket 5.5 x 8.5"
This is a handbill with a 1-sheet insert. Souvenir programme for The Royal Court Theatre's 1946 Pre-West End Production of A A Herbert's Light Opera, "Big Ben". The play opened the next month (with much the same cast) at London's Adelphi for a run of 172 performances. Starring was Carole Lynne. The cast also included George Hamilton, Yvonne Robinson, David Davies, Donald Reed, Joy Adams, Joan Young, Natasha Wills, Joan Elvin, Beryl O'Dell, Vincent Charles, Gwilym Jones, Pat Kelly, Margaret Lyle, Vi Stevens, Kenneth Price, Herbert Hainsworth, Trefor Jones, Gabrielle Brune, Eric Palmer, Lance Lister, Eric Fort, Lizbeth Webb, Margaret Lyle, Hilda Goodman, Joan Rignall, Phyllis Bridgewater, Diana Beall, Helen Cole, Pat Gilling, Natasha Wills, Pat Kelly, Winifred Hammick, Elsie Ryan, Joyce Anthony, Mildred Griffiths, Yvonne Robinson, Margaret Neeson, Dorothy Bevan, Phoebe Noel-Smith, Joy Adams, Daphne Colthurst, Madeleine Campbell, William Thomson, Ridgeway West, Michael Stoller, George Prince, Richard Aubrey, Vaughan Tremayne, Philip Lewtas, Vincent Charles. A. P. Herbert wrote the book for the show with Vivian Ellis' music. Wendy Toye directed the show and Charles Prentice directed the orchestra and John Clements trained the chorus. Toye (1917 - ) began her long and varied theatrical career when she was all of 3.5-years-old and "appeared on stage at the Albert Hall in London as a member of a juvenile dance troupe. Her solo turn as part of the act brought her considerable publicity", according to the screenonline dot org site. As a reult she "began to perform in music halls and charity shows with many of the day's top stage stars. By the age of five she was working as 'stooge' for Hayden Coffin, the famous musical comedy star, on a regular basis." By nine-years-old she began choreographing and dancing professionally and as such "was invited to perform with Serge Diaghilev's Ballet Russe, where she met the film-maker/artist Jean Cocteau," according to the screenonline dot org site. In 1931, she hit the big screen in "Dance Pretty Lady". "But she was more interested in absorbing the technical process of filmmaking than in a career as an actress." She takes "pride in the fact that she never went over budget, and that her responsible example paved the way for other women to enter the field. She continued directing stage comedies until the mid 1990s, when she retired, with a lifetime of work in the theatre and film to her considerable credit" says the screenonline dot org site. Lynne (Baroness Delfont, 1918 - 2008) was a British theatre actress. She was the widow of Lord Bernard Delfont, a prominent figure in the British entertainment industry. She made her stage acting debut at the age of 18 at His Majesty's Theatre as a chorus member in the production of "Paprika", a Hungarian musical romance, according to wikipedia. Her second husband, Bernard Delfont was from a family of prominent people in the entertainment industry, who included his brothers, Lew Grade and Leslie Grade.. Lynne was best known for headlining many theatre productions in London's West End during the 1940s and 1950s. She made her last television appearance in 1994 on an episode of "This Is Your Life", which was featuring actress Pat Kirkwood.[1] Lynne and Kirkwood had co-starred in Black Velvet at the London Hippodrome in 1939. Her performance with Kirkwood was one of her biggest successes, says wikkipedia. PROVENANCE: this item comes from the collection of H. W. Roxburgh of Liverpool, in whose extensive collection of theatrical ephemera this item was contained. It was purchased at Fellows and Sons Auction, Birmingham (UK) in Aug, 2007. This item (including its additional page insert, is a bit edgeworn and a small piece of its bottom corner is torn off. 008521 Price:
10.00 GBP
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Anonymous Big Boy, Pre-West End Production of Douglas Furber, Fred Emney and Max Kester's Musical - Theatre Programme The Royal Court Theatre, Liverpool, 1945 First Edition, Handbill, Very Good, No Jacket 5.5 x 8.5"
Souvenir programme for Douglas Furber, Fred Emney and Max Kester's musical "Big Boy" in its Pre-West End Tour at Liverpool's Royal Court Theatre - The play ran here for a week commencing July 16 before going on to London's Saville Theatre two months later. The show starred Emney (in his stereotypical guise as the "posh fat bloke", usually gruff and invariably wearing a monocle)and Richard Hearne. Also in the cast were many of the same cast members as would appear in the London production including Margaret Halstan, Triss Henderson, Norman Prince, Monica Lang, George Burn, Barry MacDonald, Matt Nixon, Harry Lane, Carol Raye, Edward Baxter, Gerald Lawson, Albert Weston, Peggy Hahn, and the Freddie Carpenter Dancers. Emney (1900 - 1980) was an English character actor and comedian, according to wikipedia. Born to a theatrical family, he grew up in London. His early career saw him working in music hall before making his film debut in 1935. He became a familiar figure to screen audiences, usually playing the "posh fat bloke", usually gruff and invariably wearing a monocle, according to wikipedia. During the 1950s, he had his own television show, wikipedia notes, which featured sketches and deft piano pieces often composed by him. He had a short spell as straight man to puppets Pinky and Perky. Hearne, (1908 - 1979) was an English actor, comedian, producer and writer. He is probably best remembered for his stage and television character Mr Pastry. According to the whirligig-tv dot co dot uk site, "'Mr. Pastry' complete with walrus moustache and flapping coat-tails.... [and] ...usual introductory music was 'Pop Goes the Weasel'. He was born into a theatrical family. His father was an acrobat and his mother a dramatic actress; he made his stage debut in her arms at the age of six weeks....." It was in and for this show that he created the character of "Mr Pastry". PROVENANCE: this item comes from the collection of H. W. Roxburgh of Liverpool, in whose extensive collection of theatrical ephemera this item was contained. It was purchased at Fellows and Sons Auction, Birmingham (UK) in Aug, 2007. This item has some edgewear and creases. 008579 Price:
7.50 GBP
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Anonymous Bitter Sweet, Noel Coward's Operetta - Theatre Programme The Liverpool Empire, Liverpool, 1988 First Edition, Pamphlet, Very Good +, No Jacket 7 x 9.75"
Unpaginated, but 20pp - Souvenir programme for The New Saddler's Wells Opera's production of Coward's operetta, "Bitter Sweet", which was first produced in 1929 at Her Majesty's Theatre in London where it ran for 967 performances. "Bitter Sweet" stands out as containing some of Coward's best music and has always been popular in revivals around the world, a number of which have been recorded on CD. It was filmed twice, in 1933 in black-and-white (in Britain with Anna Neagle in the leading role) and in 1940 in Technicolor by MGM, starring Jeanette MacDonald and Nelson Eddy. It is said that Noel Coward wept when he saw the 1940 film version, allegedly because he thought it was terrible. PROVENANCE: this item comes from the collection of H. W. Roxburgh of Liverpool, in whose extensive collection of theatrical ephemera this item was contained. It was purchased at Fellows and Sons Auction, Birmingham (UK) in Aug, 2007. It's immaculate. 008025 Price:
10.00 GBP
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Anonymous Brochure Advertising The Saddler's Wells Royal Ballet Comany's June 1990 Schedule of Productions at The Liverpool Empire Including: La Fille Mal Gardee and Hobson's Choice The Liverpool Empire, Liverpool, 1990 First Edition, Handbill, Very Good, No Jacket 6 x 8.5"
4pp including colour photographs - Bruchure advertising The Liverpool Empire's June 1990 Ballet season featuring The Saddler's Wells Royal Ballet (later that year to become The Birmingham Royal Ballet). Its director was Peter Wright, ballet teacher, choreographer, director and former professional dancer. The season included two ballet's, "La Fille Mal Gardee" a comic romance by Ferdinald Herold, and Paul Reade's "Hobson's Choice". PROVENANCE: this item comes from the collection of H. W. Roxburgh's extensive collection of theatrical ephemera. It was purchased at Fellows and Sons Auction, Birmingham (UK) in Aug, 2007. The covers and textblock are showing a bit of age, with a couple of full length folds where there shouldn't be folds and some inked calculations apparently related to ticket prices. But overall very good condition. 007979 Price:
7.50 GBP
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Anonymous Brochure Advertising The Welsh National Opera's Summer 1990 Schedule at The Liverpool Empire The Liverpool Empire, Liverpool, 1980 First Edition, Pamphlet, Very Good +, No Jacket 6 x 8.5"
10pp including numerous colour photographs - Bruchure advertising The Liverpool Empire's Summer 1990 Opera season featuring The Welsh National Opera productions of: Mozart's "Cosi Fan Tutte", Metcalf's "Tornrak", Rossini's "Barber of Seville" and Verdi's "Othello". This production of "Cosi Fan Tutte" featured a young Terfel as Guglielmo. It was his operatic début. Also in the cast were: Janice Watson, Anne Mason, Anne Dawson, Gunnar Gudbjornsson., and Donald Maxwell. Derek Clark was conductor of this Aidan Lang production with sets by Radu Boruzescu, and costumes by Miuna Boruzescu. The schedule also included the world premier of John Metcalf and Michael Wilcox's "Tornrak" featuring Penelope Walker, David Owen, Richard E. Armstrong and John Harris. Rossini's "Barber of Seville" starred Kate McCarney, Christine Teare, Neill Archer, Peter Savidge, Barry Mora, and Geoffrey Moses, with Gareth Jones conducting, Giles Havergal was producer and Russell Craig designed the sets. And finally Verdi's "Othello" starring Faith Esham, Wendy Verco, Jeffrey Lawton, Nelll Archer, Richard Morton, Donald Maxwell, Jonathan Best, Geoffrey Moses. Richard Armstrong and Julian Smith conducted the show produced by Peter Stein. Costumes were designed by Modele Bickel with sets by Lucio Fantl, PROVENANCE: this item comes from the collection of H. W. Roxburgh's extensive collection of theatrical ephemera. It was purchased at Fellows and Sons Auction, Birmingham (UK) in Aug, 2007. The covers and textblock are immaculate. 007978 Price:
20.00 GBP
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Anonymous Ca C'est Paris (This is Paris): The Only Genuine French Revue - Theatre Programme The Newcastle Empire, Newcastle, 1933 First Edition, Pamphlet, Very Good, No Jacket 5.5 x 8.5"
Unpaginated, but 12pp - Souvenir programme for "Ca C'est Paris (This is Paris): The Only Genuine French Revue" At The Newcastle Empire. In the cast were Cherry Kobler and the 16 Helen Jackson Girls; Elsina and the 12 Hollywood Beauties; Freddie Forbes, Rex Rogers, Angela Barrie, Jimmy Young, Charles Hanney, Paul Berny, and more. PROVENANCE: this item comes from the collection of H. W. Roxburgh of Liverpool, in whose extensive collection of theatrical ephemera this item was contained. It was purchased at Fellows and Sons Auction, Birmingham (UK) in Aug, 2007. The covers and text are clean and bright except for rusted staple, a few small rust stains and some tanning, 008560 Price:
5.00 GBP
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Anonymous Canterbury Tales - Theatre Programme The Royal Court Theatre, Liverpool, 1980 First Edition, Pamphlet, Very Good +, No Jacket 6 x 8.5"
Unpaginated but 16pp - Souvenir programme for the production of "Canterbury Tales" at Liverpool's Royal Court Theatre - The programme includes brief bios of members of the cast and production crew. There are also two essays, "Rising Above Criticism" by Eric Shorter, and "A Couple of Top Troupers" by Patrick Ludlow.. The cast included Anthony Milner, John Labanowski, Bev Willis, Lesley Mackie, Jane Paton, Micky O'Donoughue, and Terry Taplin. Based on Chaucer's Canterbury Tales, this producation was adapted by Phil Woods with Michael Bogdanov who also directed the play. Chris Barnes and Andrew Branch wrote the music. Bogdanov (1938) is a British theatre director known for his work with new plays and modern reinterpretations of Shakespeare. According to wikipedia, he has directed eight productions for the Royal Shakespeare Company, including "The Taming of the Shrew" for which he received a Director of the Year award in 1979. From 1980 to 1988, he was associate director of the Royal National Theatre where he directed about 15 productions. In 1986, Bogdanov and actor Michael Pennington together founded the English Shakespeare Company. As joint artistic director, he directed the company's inaugural productions of The Henrys and, in 1987, the seven-play history cycle of The Wars of the Roses, which toured worldwide. This ambitious programme earned him the 1990 Laurence Olivier Award for Best Director. In 1990 he directed the English Shakespeare Company's international productions of Coriolanus, The Winter's Tale, Macbeth and The Tempest. PROVENANCE: this item comes from the collection of H. W. Roxburgh of Liverpool, in whose extensive collection of theatrical ephemera this item was contained. It was purchased at Fellows and Sons Auction, Birmingham (UK) in Aug, 2007. The item is immaculate 008600 Price:
10.00 GBP
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Anonymous Chu Chin Chow, The Magazine Programme's Issue Previewing the Movie's London Opening The Magazine Programme, London, 1934 First Edition, Pamphlet, Very Good, No Jacket 5.5 x 8.5"
Unpaginated, but 24pp including b+w photo of George Robey in costume on the cover and several other b+w photographs - This is issue No. 1017 for 20 August 1934 including the souvenir programme for the movie "Chu Chin Chow" a musical comedy written, produced and directed by Oscar Asche, with music by Frederic Norton, based (with minor embellishments) on the story of Ali Baba and the 40 Thieves at The Tivoli, London. The movie had quite a pedigree. It began life as a stageplay at His Majesty's Theatre in the Haymarked in 1916 and ran and ran and ran, racking up 2,238 performances by the time it closed in 1921. During the run of the play, four men and one donkey had never missed even a single performance. It premiered in 1917 at New York's Manhattan Opera House and starred Tyrone Power, according to the moderntheatre dot info site. It ran for 208 performances. This is very successful by New York standards the moderntheatre dot info site notes. The show starred George Robey, Anna May Wong, and Fritz Kortner. Its cast included John Garrick, Pearl Argyle, Jetsam, Denis Hoy, Sydney Fairbrother, Laurence Hanray, Frank Cochrane, Thelma Tuson, and Kyoshi Takase. Robey (1869 - 1954) was an English music hall comedian and star. He was marketed as the "Prime Minister of Mirth", according to wikipedia. His London début was made at the Royal Aquarium, as assistant to Professor Kennedy, a burlesque mesmerist, in 1891. In this act he sang songs, pretending to be under hypnosis. He was soon performing in his own act, wikipedia continues, and was booked at the Oxford Music Hall in June 1891, aged 21. Like many of his time, Robey's act consisted of patter and song, with elaborate stage costumes, often appearing in drag. He was, according to wikipedia, renowned for his double entendres, and ordering his audience to "Desist" and "Kindly temper your hilarity with a modicum of reserve". Naturally, these exhortations had the opposite effect. During World War I he was known for his enthusiastic participation in recruitment drives for the army. In one theatre he promised "a shiny florin for every recruit who signs on tonight" wikipedia continues. He raised over £500,000 for war charities and at the end of the war he was offered a knighthood for his services, but declined, accepting a CBE. Wong (1905 - 1961) was the first Chinese American movie star, and the first Asian American to become an international star. according to wikipedia. Her long and varied career spanned both silent and sound film, television, stage, and radio. Wong became infatuated with the movies and began acting in films at an early age. During the silent film era, she acted in "The Toll of the Sea", one of the first movies made in colour and Douglas Fairbanks' "The Thief of Bagdad", wikipedia continues, and Wong became a fashion icon, achieving international stardom by 1924. Frustrated by the stereotypical supporting roles she reluctantly played in Hollywood, she left for Europe in the late 1920s, where she starred in several notable plays and films, among them "Piccadilly" in 1929. She spent the early 1930s traveling between the US and Europe for film and stage work and was featured in films of the early sound era, such as "Daughter of the Dragon" (1931) and "Daughter of Shanghai" (1937), and with Marlene Dietrich in Josef von Sternberg's "Shanghai Express" (1932), wikipedia explains. Included in the magazine section is an essay on the record-making and record-breaking history of "Chu Chin Chow", the stageplay and movie. In the continuing series of mini-biographies of theatre people of the past the life of Thomas Doggett (ca. 1640 - 1721), the Irish actor is discusssed. Fay Wray (she of King Kong fame), Elissa Landi and Janice Jarrett are talked about in the "News of the Stars" column. A photo of a scene from Podrecca's Piscolimarionette players at the Royalty Theatre, a photo of Elsie Randolph and Fred Emney (in his stereotypical guise as the "posh fat bloke", usually gruff and invariably wearing a monocle) in a scene from "Mr Whittington" then at the London Hippodrome are published. Also included are the "Studio News", "Amateur Stage" and "London Streets: How They Got Their Names" and other columns. PROVENANCE: this item comes from the collection of H. W. Roxburgh of Liverpool, in whose extensive collection of theatrical ephemera this item was contained. It was purchased at Fellows and Sons Auction, Birmingham (UK) in Aug, 2007. The cover is very slightly foxed and the staples are rusted but the textblock is bright. 008480 Price:
7.50 GBP
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Anonymous Dandy Dick Revival of Arthur W. Pinero's 1887 3-act Farce - Theatre Programme The Royal Court Theatre, Liverpool, 1945 First Edition, Leaflet, Very Good, No Jacket 6 x 10"
Souvenir programme for the 1945 revival of the 1887 3-Act farce, "Dandy Dick" by Arthur W. Pinero at Liverpool's Royal Court Theatre - This is a three-act farce in which, as the BBC described it, "A dean gambles his parish funds on a racehorse." Starring in this production were Sydney Howard, Joan Benham, and Jennifer Gray. Also featured were Nuna Davey, Gus McNaughton, A. E. Matthews, William Murray, Richard Wattis, Grey Blake, Donald Finlay, and Betty Hardy. Pinero (1855-1934), was a leading playwright of the late Victorian and Edwardian eras according to the National Portrait Gallery. Pinero abandoned legal studies at 19 to become an actor. While still acting he began writing plays, his first, "£200 a Year", was produced in 1877. His best farces, including this one were written for the Royal Court Theatre in London. But It was his play "The Second Mrs. Tanqueray" (1893) that established him as a playwright of note. It was serious and yet sentimental, and was the first of several plays he wrote that depicted women battling with the strictures of Victorian society. Pinero was about the only dramatist of his time, apart from Oscar Wilde, who wrote strong parts for leading ladies, according to wikipedia. Benham (1918 - 1981) was an English actress probably best known for her portrayal of Lady Prudence Fairfax in the ITV series "Upstairs, Downstairs". She began her career appearing on the West End stage in the 1940s and continued to appear on the London stage periodically throughout her career, according to wikipedia. She also appeared on Broadway as Helena in the 1954 revival of William Shakespear's "A Midsummer Night's Dream". Wattis (1912 - 1975) was a British character actor. He worked for the family electrical engineering firm before becoming a professional actor, debuting at Croydon Repertory Theatre he went on to make many stage appearances in the West End. His first appearance in a film was "A Yank At Oxford". Arguably best known for his appearances in innumerable British comedies of the 1950s and 1960s, including the St Trinian's films as "Manton Bassett".He also appeared on TV including in "Sykes" as their next-door neighbour. PROVENANCE: this item comes from the collection of H. W. Roxburgh's extensive collection of theatrical ephemera. It was purchased at Fellows and Sons Auction, Birmingham (UK) in Aug, 2007. The text is clean, except for some edgewear and creases. 008582 Price:
7.50 GBP
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